Professional wrestling has consistently been able to draw upon the many riches of myth and folk tales and the world of sports to help its characters attain that elusive sense of larger-than-life proportions. The most surprising influence on wrestling however, is the western culture. Cowboys, ranches and American rodeos intertwine with the rugged spirit of what it is to be a professional wrestler, no matter how globally sophisticated the sport has become.
The most intriguing thing about the western culture is the simplicity that is attached to it. The lone riding cowboy, the outlaw turned honest hero, that all can sympathise with. Wrestling thrives on personal image just the Western image has propagated from it. The western image is one everyone knows and is aware of through Hollywood and movies, and has characteristics that appeal in every man, just like wrestling.
Western culture has always been defined as something that is dangerous and requires great skill and the willingness to take risks in front of an audience. The rodeo rider, the horse trainer, and the ranch hand are all individuals who must contend with their own fear of heights and their own willingness to take risks. The same is true of professional wrestling. The willingness to take risks is part of what makes professional wrestling such a popular spectator sport.
Anyone who has watched the build-up to the major racing events and studied the odds on the gold cup cannot help but see the same kind of fascination that professional wrestling has for uncertainty and the human need to gauge their own bravery against the possibility of failure.
The similarity is no coincidence. In each world, there is the notion of the competitor entering a world of unpredictability. In horseback riding, there is the mind, rhythm, and limits of the horse. In wrestling, there is the competitor, the crowd, and the storyline, all of which can shift in an instant. The idea of controlled chaos is what keeps the audience watching.
The cowboy character has long been one of the most dependable character archetypes in professional wrestling. The reason is simple, the promoters recognize that people will latch onto the idea of someone who lives outside the rules and still believes in a code. The character can be a cowboy or an outlaw, and the visual elements do most of the work without ever needing to say a word.
There is another, more practical reason for the cowboy and wrestler having so much in common. The world of professional wrestling was born in an era and a location in which rodeo and cowboy culture were part of everyday life. In the Southern and Midwestern United States, many wrestlers grew up in a world of farms, horses, and county fairs. As they stepped into the wrestling ring, they took all of this with them. The cowboy character was no longer merely a reflection of reality; it was a choice.
Modern wrestling, however, continues to revisit the same concepts and key moments because they work. The hat, the boots, the slow approach to the ring, and the idea that the character has obviously spent more time outside than under the bright lights of the ring all help to give the character authenticity. They know they are watching a work, but they respond to anything that has a basis in reality.
It is easy to see the cowboy gimmick as nothing more than image, but there is more to it than that. Horse riding requires patience, control, and a certain degree of physical awareness, something that cannot be learned or faked. To be a good rider, you have to understand the animal, understand timing, understand how to react when something goes wrong. Wrestlers have the same discipline. They have to learn the movements, the actions, until they are second nature, until they know how to land, until they know how to protect themselves, until they know how to continue performing when the body wants to stop.
This discipline, of course, is why the Western theme has never felt quite out of place in wrestling. There is a sense of authenticity, of knowing that the toughness being portrayed on the screen, the pain, the struggle, is at least partially real. It does not matter if the storyline itself has been exaggerated, the discipline behind it has.
In my opinion, this is why the cowboy gimmick works, why it has endured, whereas others have come and gone. It has a basis in reality, a basis outside the ring. People may not have ridden horses themselves, but they know the discipline it takes to control something as powerful as a horse. They know the discipline, and they have respect. They have respect, and the character remains believable.
There is a cultural reason for the continued presence of Western imagery. The story of the frontier is one of independence, of endurance, and of proving a point without excuses. These are the very same themes that perfectly align with the sport of professional wrestling. Wrestling has always been a sport of wills as much as it is a sport of strength. The fans want to think that the man standing in the ring has earned his right to be there.
As professional wrestling gets more refined and more influenced by the techniques of television, the industry still keeps one foot planted firmly in the past. The ranch, the rodeo, and the lone rider riding off into the fray remind the viewer of a simpler time of competition. It is not a competition of statistics and technology. It is a competition of who can stay on their feet when the pressure gets turned up.
The Western theme continues to appear in professional wrestling because it is a culture that values the same things. It values courage, discipline, risk, and the ability to perform in front of a crowd. As long as professional wrestling is a business of these very ideas, there will be a place for a hat, a pair of boots, and the knowledge that somewhere not too far away from the arena, there is a ranch where the work gets done.